“If we trace out what we behold and experience through the language of logic, we are doing science; if we show it in forms whose interrelationships are not accessible to our conscious thought but are intuitively recognized as meaningful, we are doing art. Common to both is the devotion to something beyond the personal, removed from the arbitrary.” - Albert Einstein
Wednesday, October 14, 2009
Deconstructing and Interacting with Art
As with the exception to parenting I mentioned a few blog posts ago, I only partially agree with Dr. Pinker in his discussion of art and beauty. Classic beauty is probably a human constant and modern art does tend to reject it, but there is a purpose for the exploration of deconstruction and minimalization. The problem is, in my opinion, that many "progressive" artists stop at the deconstruction and never finish the journey to reconstruction. Therefore, making their own label an oxymoron because they never complete the process to allow true progress.
Golan Levin, on the other hand, does. As an engineer and artist, during the second half of his talk, he shows the progression from simplicity of gaze to one very engaging robot eye.
I see no problem with merging art and engineering. Di Vinci was an excellent example of an artist and engineer. Michelangelo and other artists were also scientists. So, again, we see the creative cycle of divergence and the convergence.
Going back to the first half of Levin's talk, he gives examples of mixing sensory inputs. Evan Grant also works on making sound visible, through the science of cymatics.
Sound does have form and affects matter. There is still much data hidden in nature for us to find.
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