Recently, I've been seeing a feed from someone who apparently took up blogging to make money. I must admit I find the concept a bit bizarre. I don't consider blog posts a commodity - I consider them a form of self-reflection and communication. I started this blog five years ago, so I could share what I learned with my friends. I am an experiential learner, which means I learn concepts by applying them to the world around me. This includes writing about them and hopefully taking them a few steps further to see if my understanding still holds up.
So, you see, this blog is really a personal indulgence of mine, which I share because at least a few other people find my intellectual/academic musings and discoveries interesting. I have it separate from my livejournal account because not all of my friends are interested in this part of my life. They are more concerned with my more mundane doings and and rants. I have another journal for my creative writings, so those friends interested in those can read them. I even have a religious journal, which to be honest, I have neglected badly, for the same reason. Most of my friends like the ala cart method I have, and I have no problem with them preferring only part of my life to follow.
So, for me personally, adding advertisements to this blog feels wrong, as does running it like a business. I want to share freely with my friends. I consider it an act of true charity (i.e. love) for those who don't have the access to material that I have (which is the reason this particular site was created - a friend in another country, who does not have the resources to study the topics I am, asked me to share some of my assignments with her). From there, it sort of turned into my more formal blog.
Still, if someone wishes to making blogging their career, then all the more power to them. There's nothing wrong with gaining something for providing information. Frankly, I'm tempted to put my Amazon wishlist up for those who wish to give me something to alleviate any feelings of one sided indebtedness they may feel while reading this blog. Not because I want something for it, but because I have learned that there is more to being charitable and generous than just giving to people--sometimes, you have to be humble and gracious enough to let them give to you. If you can't do this, then your generousity is a sham; a means to assert superiority to those you perceive as less fortunate than you. If receiving help or gifts from other people means you're weak, then what does that say about your view of those you are giving to? If you believe that receiving puts you into another's debt, then what price are you attaching to your gifts?
I will have to think this over some more. I haven't been keeping track of who has been reading this blog during the past three years or so. Most of the people who I do know that read it are friends who already give to me of their talents, companionship, and even the occassional gift. I guess I can start monitoring visitors again and if, indeed, I have a wider audience than I realize, I might put a link somewhere for people who just want to send a little something to thank me for whatever reason. I want whatever I do to be done as a free choice and not as an obligation. I will probably make a special "under $5" wishlist for this blog then. And maybe a list of professional books that a reader here might what me to comment on. But then I might feel obligated to read some books that really don't spark my interest.
Oh well, like I said, I'll have to think this over more.
“If we trace out what we behold and experience through the language of logic, we are doing science; if we show it in forms whose interrelationships are not accessible to our conscious thought but are intuitively recognized as meaningful, we are doing art. Common to both is the devotion to something beyond the personal, removed from the arbitrary.” - Albert Einstein
Saturday, October 31, 2009
Friday, October 30, 2009
The Basis of Knowledge
David Deutsch starts out shaky in the talk, but stick with him. He hits his stride half-way through and then he is amazing.
Bad explanation: easy to vary
Good explanation: Hard to vary assertions, details have functional uses
Explanationless theories - bad science
Bad explanation: easy to vary
Good explanation: Hard to vary assertions, details have functional uses
Explanationless theories - bad science
Architecture that repairs itself?
Discusses the beginnings of "living" building materials, other known as "protocells", creating limestone structures from the bottom up. Considering how my last post made a point of the influence of natural elements in public places, this recent video is a great example of how some people see buildings in a similar way. But instead of staying with the decay aspect, they are pioneering the creation part.
Color me extremely impressed. I am very delighted to see this technology being pursued.
Monday, October 26, 2009
Art and public spaces
Olafur Eliasson does a wonderful job of showing how making public spaces an art piece, especially interactive, can help people become more aware of their surroundings and relate to them more. He also explains why this happens with things, such as waterfalls.
Of course, Eliasson uses artistic elements that reflect nature into his public spaces, which makes them more human than many man-made spaces. I believe that this reflection of nature that creates a common ground for all humans, whereas the obviously artificial space limits the way people relate to it.
Teddy Roosevelt saw the same thing in nature's effect on humans when he created the US Natural Parks system. He saw the National Parks where people of all classes could visit and be the same.
So nature reflected in art creates common ground. What does other styles of public architecture do? During the Federalist Period in the United States, elements of Ancient Greek architecture was used to bring a sense of order, beauty and achievement from that ancient democracy to the young country. Romanesque architecture was meant to life the spirit and strengthen faith. Crisp, clean, artificial architecture is meant to drive the imagination into future endeavors.
Likewise, shoddy buildings, and other signs of urban decay, negatively affect the psyches of those who live around it. The only exception to the "building decay=depression" rule I've found is when the decay isn't a crumbling into dust, but a reclaimation into nature. In which case, it often strikes me as nature embracing the structure--a marriage of art and life.
Labels:
art,
behavior,
creativity,
designer,
modern artist spotlight,
sculpture,
TED
Sunday, October 25, 2009
Meditation Sunday
Saturday, October 24, 2009
Art and civilization
I was going to wait until I found the video clip I wanted for this, but I decided to go ahead and post it since it appears that I may have to snail mail someone to locate it.
I was very blessed when I was in high school to have Ms. Sylvia Butler as my Ancient World History teacher. She was significant in my life for two reasons. First, she was the only teacher that had all of my siblings and I take her class. Second, she taught us the history of early civilizations through their art. She not only showed us wonderful pictures that she had taken of art all over the world, but she made us draw some of it, as well as remember the verbal facts, on our tests. You can tell a lot of a civilization through the art it produces and praises.
Another teacher who taught me about the importance of art to a nation was my eigth grade Social Studies teacher, Dr. Demott. He preferred to go as "Mr. Demott" and he was a very soft-spoken guy, but while some teachers know how to present material, he knew what material to present. He used contemporary music and various film clips to underscore certain aspects of life in the 20th century.
One example was using Neil Diamond's "I am, I said" to show the alienation that occurs in a mobile society. Another example was using actual state-sponsored films from communist Russia to show us the power of propaganda. The visual imagery of this clips were so strong that there was no need to translate the Russian in them.
(hopefully, I can find an example)
Frankly, I'm surprised he was able to get away with showing us some of this stuff, but I am glad he did, because it showed us not only real propaganda (versus the weak stuff many people scream about these days), but showed us how powerful controlling the arts can be for those in power, no matter what their idealogy.
I was very blessed when I was in high school to have Ms. Sylvia Butler as my Ancient World History teacher. She was significant in my life for two reasons. First, she was the only teacher that had all of my siblings and I take her class. Second, she taught us the history of early civilizations through their art. She not only showed us wonderful pictures that she had taken of art all over the world, but she made us draw some of it, as well as remember the verbal facts, on our tests. You can tell a lot of a civilization through the art it produces and praises.
Another teacher who taught me about the importance of art to a nation was my eigth grade Social Studies teacher, Dr. Demott. He preferred to go as "Mr. Demott" and he was a very soft-spoken guy, but while some teachers know how to present material, he knew what material to present. He used contemporary music and various film clips to underscore certain aspects of life in the 20th century.
One example was using Neil Diamond's "I am, I said" to show the alienation that occurs in a mobile society. Another example was using actual state-sponsored films from communist Russia to show us the power of propaganda. The visual imagery of this clips were so strong that there was no need to translate the Russian in them.
(hopefully, I can find an example)
Frankly, I'm surprised he was able to get away with showing us some of this stuff, but I am glad he did, because it showed us not only real propaganda (versus the weak stuff many people scream about these days), but showed us how powerful controlling the arts can be for those in power, no matter what their idealogy.
Friday, October 23, 2009
99% of Perception is Decision
Confession here--when I first saw the actual title of this video, a prejudice kicked in. Over the years, I have become very cynical about claims that computer programmers can build virtual versions of the human brain--supercomputer or otherwise. So, I almost didn't watch this video because of a pre-decided condition, one that is actually hypocritical considering my interest in cognition. I don't feel all too horrible about it. First off, it is a very common occurance in humans, even those who should know better. Second, and more importantly, my conscience pointed out my hypocrisy and nagged me until I made a commitment to watch this--thus maintaining my intellectual integrity on the matter.
I am so glad I watched this video. Because instead of seeing a theory built on narrowly conceived philosophies, I saw something that included perception as well as neuron activity. With no disrespect to Jeff Hawkins*, Henry Markham and his colleagues have a fuller theory of the brain, one that consists of holistic elements, as well as detailed ones. Their theory isn't stuck into a left brain world, but embraces both hemispheres of the brain--and the graphics used to show their points are not only extremely artistic, fascinating, beautiful and informative, but also examples of right brain/left brain cooperation. Their calculations are not only the mathematical, molecular side. These scientists actually have stepped backed and analyzed the big picture patterns of their results, realizing that they need to understand the "forest" in their work, as well as the "leaves".
I am tempted to say everyone should see this video; however, realistically, this video will be of more interest to you if you also have a fascination with cognition and perception. I will still maintain that those in the field of psychology and counseling, or consider themselves "scientific" should watch this video. You cannot understand a person or data, without understanding how your mind and others perceive it. You will be doing yourself a major diservice if you don't watch the following video:
Highlights for the less excited about brain science:
*I still that Jeff Hawkins is correct with his theory of intelligence. He just doesn't expand it to perception.
I am so glad I watched this video. Because instead of seeing a theory built on narrowly conceived philosophies, I saw something that included perception as well as neuron activity. With no disrespect to Jeff Hawkins*, Henry Markham and his colleagues have a fuller theory of the brain, one that consists of holistic elements, as well as detailed ones. Their theory isn't stuck into a left brain world, but embraces both hemispheres of the brain--and the graphics used to show their points are not only extremely artistic, fascinating, beautiful and informative, but also examples of right brain/left brain cooperation. Their calculations are not only the mathematical, molecular side. These scientists actually have stepped backed and analyzed the big picture patterns of their results, realizing that they need to understand the "forest" in their work, as well as the "leaves".
I am tempted to say everyone should see this video; however, realistically, this video will be of more interest to you if you also have a fascination with cognition and perception. I will still maintain that those in the field of psychology and counseling, or consider themselves "scientific" should watch this video. You cannot understand a person or data, without understanding how your mind and others perceive it. You will be doing yourself a major diservice if you don't watch the following video:
Highlights for the less excited about brain science:
- 2 billion people are affected by mental illness in the world today.
- The theory they are using specifically - "The brain builds a version of the universe and projects this version of the universe, like a bubble, all around us."
- Finally gives a decent explanation for an optical illusion that was considered unexplained - why the moon looks so big at the horizon. It's not because of light bending. It's because we make it fit our other visual references.
- Explains how anesthetics work. They doen't put the brain to sleep, they create a static noise in the brain that keeps the neurons from talking to each other. I think this may explain why hypnosis can be used instead.
- "99% of what you see does not come in through the eyes. It is what you infer about that room." This is why people can look at the same thing and come to vastly differing conclusions. In counseling, it is why it is important to understand how the client perceives things and why they are the ones who actually have to be part of the creation of a healthier mentality. You can't just overlay your perceptions on other people.
- Shows that for the next hundred years, we can set aside the philosophical side of the above point and ask concrete questions about the brain's ability to do this, which can be tested scientifically.
- Mammals need a more complex brain because they had to deal with parenting, social interactions, and complex cognitive functions.
- Excellently done video clips that help explain brain development and structure.
- Shows how details and general overviews can work together, allowing a better understanding of our world.
- "The most important design secret of the brain is diversity."
- Shows in mathematical graphic how we can be different on the "leaf" level and still be alike on the "forest" level.
- Looking at the raw electical energy and the forms created by it, within the neocortical column.
*I still that Jeff Hawkins is correct with his theory of intelligence. He just doesn't expand it to perception.
Labels:
cognition,
neurology,
perception,
psychology,
TED
Thursday, October 22, 2009
Positive Psychology
Martin Seligman goes beyond the disease model in psychology and how to improve human lives, by examining the positive mental states.
Summarizing types of "happy lives": The pleasant life (full of pleasure) is inheritable and not very malleable. The engaged life (or good life) is full of flow, even if there isn't much emotion involved. The meaningful life is to work towards or for something larger than yourself.
The full life has all three, though the pleasant life gives the least amount of fulfillment of the three.
Summarizing types of "happy lives": The pleasant life (full of pleasure) is inheritable and not very malleable. The engaged life (or good life) is full of flow, even if there isn't much emotion involved. The meaningful life is to work towards or for something larger than yourself.
The full life has all three, though the pleasant life gives the least amount of fulfillment of the three.
Where's the sweetness in your life?
Scrooge: "What right to you have to be happy? You're poor enough."
Fred: "What right do you have to be miserable? You're rich enough."
A Christmas Carol by Charles Dickens
"Life is pain, Highness. Anyone who says differently is selling something." - The Princess Bride
You would be very hard-pressed to find someone who hasn't had some grief, pain or other misery in their life, but you can probably easily find examples of people who can be happy in spite of their poor circumstances and those who are miserable in spite of their riches.
My daughter is friends with one of the sweetest, most childlike (without being childish) people I know. Everything she draws has an aura of cuteness. To the casual observer, the only clue to the darkness in her is the fact that she likes really heavy metal. Her innocence is so precious that her friends will tell anyone who tries to destroy it to back off in now uncertain terms. For the past few years, she has lived with a good family that has legal guardianship over her. It has been through conversations with her foster mother that I have some idea what this young woman's early life was like. With most people, I can say that while I haven't been exactly where they are, I have been a few houses down or a block or two away. In her case, imagine living with the craziest relative you know, while in an active war zone - and you just might have some idea what her childhood was like. While I have personal familiarity with some of the architecture of her life, most of the rest of it I only have the familiarity of a war correspondant in comparison.
If anything, her sweetness is one of the main things that kept the misery of her life from totally destroying her. It is no wonder that my daughter and her other friends fight so hard to keep that sweetness alive. Because truth be told, while she may be innocent in many ways, she has experienced more evil than many who parade their "emo-ness" can even fanthom. Her sweetness is not an act of avoidence - it is an act of bravery.
To often we shy away from joy and innocence because others try shame us away from under the guise of calling it "childish", "quaint", "silly", "hokey", and various other snobbish comments. It takes bravery to embrace sweetness and joy, while living in a culture that praises negativity and jadedness. It's no wonder that many people have no clue how to turn Life's lemons into lemonade; most of us don't recognize Life's sweeteners even when they are labelled for us. And a lot of people expect the lemonade to be made and given to them, completely unaware of how much better lemonade is when it is sweetened by ourselves to our own individual tastes. And sometimes Life doesn't give us lemons; sometimes it gives us cream of wheat, medicine, treackle, habenaro peppers, or crabapples.
And there are many types of sweeteners in Life. Nature uses more than just sucrose (refined sugar). She uses glucose (honey), lactose (milk), fructose (fruit), and others.
So today I am going to share some of the musical sweeteners that are currently just right for my life at the moment:
Now, what sweetness exists in your life? Please feel free to share, so others not only learn of other sources of sweetness, but take courage enough from your example to embrace the sweetness in their lives.
Cross-posted to my other blog.
Fred: "What right do you have to be miserable? You're rich enough."
A Christmas Carol by Charles Dickens
"Life is pain, Highness. Anyone who says differently is selling something." - The Princess Bride
You would be very hard-pressed to find someone who hasn't had some grief, pain or other misery in their life, but you can probably easily find examples of people who can be happy in spite of their poor circumstances and those who are miserable in spite of their riches.
My daughter is friends with one of the sweetest, most childlike (without being childish) people I know. Everything she draws has an aura of cuteness. To the casual observer, the only clue to the darkness in her is the fact that she likes really heavy metal. Her innocence is so precious that her friends will tell anyone who tries to destroy it to back off in now uncertain terms. For the past few years, she has lived with a good family that has legal guardianship over her. It has been through conversations with her foster mother that I have some idea what this young woman's early life was like. With most people, I can say that while I haven't been exactly where they are, I have been a few houses down or a block or two away. In her case, imagine living with the craziest relative you know, while in an active war zone - and you just might have some idea what her childhood was like. While I have personal familiarity with some of the architecture of her life, most of the rest of it I only have the familiarity of a war correspondant in comparison.
If anything, her sweetness is one of the main things that kept the misery of her life from totally destroying her. It is no wonder that my daughter and her other friends fight so hard to keep that sweetness alive. Because truth be told, while she may be innocent in many ways, she has experienced more evil than many who parade their "emo-ness" can even fanthom. Her sweetness is not an act of avoidence - it is an act of bravery.
To often we shy away from joy and innocence because others try shame us away from under the guise of calling it "childish", "quaint", "silly", "hokey", and various other snobbish comments. It takes bravery to embrace sweetness and joy, while living in a culture that praises negativity and jadedness. It's no wonder that many people have no clue how to turn Life's lemons into lemonade; most of us don't recognize Life's sweeteners even when they are labelled for us. And a lot of people expect the lemonade to be made and given to them, completely unaware of how much better lemonade is when it is sweetened by ourselves to our own individual tastes. And sometimes Life doesn't give us lemons; sometimes it gives us cream of wheat, medicine, treackle, habenaro peppers, or crabapples.
And there are many types of sweeteners in Life. Nature uses more than just sucrose (refined sugar). She uses glucose (honey), lactose (milk), fructose (fruit), and others.
So today I am going to share some of the musical sweeteners that are currently just right for my life at the moment:
- "I get ten thousand hugs from ten thousand lightning bugs." - Firefly by Owl City
- Looking out my backdoor by Creedance Clearwater Revival
- In My Wildest Dreams - Moody Blues
- Never Gonna to Give You Up by Rick Astley. Yes, Rickrolling doesn't annoy me - I actually enjoy it. 'Tis like trying to injure a volcano with a flame thrower or stopping a hurricane with a water cannon! FEAR ME, PUNY MORTALS!
- Dragostea Din Tei by O-Zone
- Run, Runaway by Slade
- I Don't Feel Like Dancing by Scissor Sisters
Now, what sweetness exists in your life? Please feel free to share, so others not only learn of other sources of sweetness, but take courage enough from your example to embrace the sweetness in their lives.
Cross-posted to my other blog.
Happiness
While I do want to continue my series about the transformative power of art, I am currently awaiting some information that I really, really want for my next post on the subject. So, until then, back to the TED commentaries.
Nancy Etcoff discusses the science of happiness in the following talk:
Happiness is not the absence of misery. People can feel happy, even while feeling miserable. I have experienced this, being happy, even while in pain and under stress. It is also interesting to note that the pleasure and the reward pathways in the brain are not actually the same things.
Dan Gilbert gives a great talk about natural and synthesized happiness:
I find the free choice experiments very interesting, if not mind-blowing. There is another talk on TED about this, but I find this one more convincing.
The following talk is a more spiritual on the matter of happiness. At the very least, it has some beautiful images.
Nancy Etcoff discusses the science of happiness in the following talk:
Happiness is not the absence of misery. People can feel happy, even while feeling miserable. I have experienced this, being happy, even while in pain and under stress. It is also interesting to note that the pleasure and the reward pathways in the brain are not actually the same things.
Dan Gilbert gives a great talk about natural and synthesized happiness:
I find the free choice experiments very interesting, if not mind-blowing. There is another talk on TED about this, but I find this one more convincing.
The following talk is a more spiritual on the matter of happiness. At the very least, it has some beautiful images.
Wednesday, October 21, 2009
Art as a means of true social change
I've decided to talk a short break from sharing my favorite TED talks to share something that hit me while studying for an art history test 3 years ago. I have it posted it elsewhere, but I think it's time to share it here.

Take a look at this picture. Do you know why it is so important?
If you're an art student, you would probably answer with something like this:
One of the most admired frescos from the Arena Chapel done by Giotto, known as the "Father of Picturial Painting". It shows real emotion and human suffering. Uses focal points instead of symmetry, overlapping figures and shading. Done in Italo-Byzantine style, it breaks from the stylistic other-worldness of the Byzantine style of the Dark Ages, with its introduction of naturalism.
However, if you take into the account of the cultural and religious significance of this piece, it becomes so much more than the epitome of a style of painting.
To appreciate Giotto's work, you need to understand that in the Dark Ages, artists painted figures to look other-worldly to reflect the supernatural and unfathomableness of Christ and the saints. These were not persons who could be related to in a normal fashion. These were impersonal beings, who only interacted with we unworthy and insignificant humans out of supernatural mercy.
To this end, the populace were treated to paintings like the one to the left here. Faces that showed no emotions. Images that showed not connection to the things of this world. During the Dark Ages, God was not Love, but Power.
Look again at the Byzantine representation of Christ. Is the image a welcoming one? Does this look like someone who emanates love? Someone who had a personal interest in your salvation?
It doesn't to me.
On the other hand, look again at Giotto's Christ. Is there any doubt that the man lying there had a connection to those around him on a personal level? That they felt his love for them in their life?
To the best of my knowledge, Giotto was the first person to paint Christ in a personal way. Perhaps herding sheep as a child made Giotto feel a special kinship with Jesus Christ. Perhaps being chosen by the master painter Cimabue as a humble lad from the country, Giotto saw more of God's love in the world around him, instead of the power plays of rulers and religious leaders.
Whatever the reason, so moving and innovated was Giotto's works, that he was in high demand and other artists began to follow suit. Soon, many who could not read, much less have access to the Holy Scriptures, had a different insight into the nature of Christ - where they actually meant something to the universe and their Creator.
A description of Giotto from http://www.ibiblio.org/wm/paint/auth/giotto/
Giotto was short and homely, and he was a great wit and practical joker. He was married and left six children at his death. Unlike many of his fellow artists, he saved his money and was accounted a rich man. He was on familiar terms with the pope, and King Robert of Naples called him a good friend.
Rereading what I wrote, I realized that I need to explain that the rediscovery of humanism started at the same time that Giotto began his work. And, frankly, I think that his work was a main factor for its re-emergence.
Take a look at this picture. Do you know why it is so important?
If you're an art student, you would probably answer with something like this:
One of the most admired frescos from the Arena Chapel done by Giotto, known as the "Father of Picturial Painting". It shows real emotion and human suffering. Uses focal points instead of symmetry, overlapping figures and shading. Done in Italo-Byzantine style, it breaks from the stylistic other-worldness of the Byzantine style of the Dark Ages, with its introduction of naturalism.
However, if you take into the account of the cultural and religious significance of this piece, it becomes so much more than the epitome of a style of painting.
To this end, the populace were treated to paintings like the one to the left here. Faces that showed no emotions. Images that showed not connection to the things of this world. During the Dark Ages, God was not Love, but Power.
Look again at the Byzantine representation of Christ. Is the image a welcoming one? Does this look like someone who emanates love? Someone who had a personal interest in your salvation?
It doesn't to me.
On the other hand, look again at Giotto's Christ. Is there any doubt that the man lying there had a connection to those around him on a personal level? That they felt his love for them in their life?
To the best of my knowledge, Giotto was the first person to paint Christ in a personal way. Perhaps herding sheep as a child made Giotto feel a special kinship with Jesus Christ. Perhaps being chosen by the master painter Cimabue as a humble lad from the country, Giotto saw more of God's love in the world around him, instead of the power plays of rulers and religious leaders.
Whatever the reason, so moving and innovated was Giotto's works, that he was in high demand and other artists began to follow suit. Soon, many who could not read, much less have access to the Holy Scriptures, had a different insight into the nature of Christ - where they actually meant something to the universe and their Creator.
A description of Giotto from http://www.ibiblio.org/wm/paint/auth/giotto/
Giotto was short and homely, and he was a great wit and practical joker. He was married and left six children at his death. Unlike many of his fellow artists, he saved his money and was accounted a rich man. He was on familiar terms with the pope, and King Robert of Naples called him a good friend.
Rereading what I wrote, I realized that I need to explain that the rediscovery of humanism started at the same time that Giotto began his work. And, frankly, I think that his work was a main factor for its re-emergence.
Labels:
art,
behavior,
compassion,
creativity,
cultures,
education,
historical artist spotlight,
perception,
values
Monday, October 19, 2009
Motivation
Dan Pink's talk on the surprising science of motivation is something anyone who deals with other people in an oversight capacity should watch. It's good for those in behavioral studies to watch it, too.
Nothing beats intrinsic motivation when it comes to tasks that need creativity. Which is probably why Tony Robbins is considered a motivational speaker, instead of how he describes himself - a why guy, who asks why you are doing what you do.
As you see from the video, what he is doing is helping people to figure out their intrinsic motivations, their internal drives - which empowers them to do their best.
Human needs as Robbins defines them:
1) Certainty
2) Uncertainty
3) Critical Significance
4) Connection and Love
5) Grow
6) To contribute beyond ourselves
Freud would call "certainty" life-instincts and "uncertainty" death instincts. Adlerian therapy stresses that people need goals and significance in their lives. Existential therapy deals with the need to grow and be unique. Family systems and group therapies deal with connections. Maslow's hierarchy contains all but the uncertainty. So, in spite of Robbins negative comments about us being a therapy society, he, himself, is using much of the basis of psychology.
Nothing beats intrinsic motivation when it comes to tasks that need creativity. Which is probably why Tony Robbins is considered a motivational speaker, instead of how he describes himself - a why guy, who asks why you are doing what you do.
As you see from the video, what he is doing is helping people to figure out their intrinsic motivations, their internal drives - which empowers them to do their best.
Human needs as Robbins defines them:
1) Certainty
2) Uncertainty
3) Critical Significance
4) Connection and Love
5) Grow
6) To contribute beyond ourselves
Freud would call "certainty" life-instincts and "uncertainty" death instincts. Adlerian therapy stresses that people need goals and significance in their lives. Existential therapy deals with the need to grow and be unique. Family systems and group therapies deal with connections. Maslow's hierarchy contains all but the uncertainty. So, in spite of Robbins negative comments about us being a therapy society, he, himself, is using much of the basis of psychology.
Success
UCLA coach and English professor, John Wooden, explains his definition of success:
"Peace of mind that comes from doing the best you are capable of," means a lot more with some of the examples he gives near the end.
This video underlines the capriciousness of fate, despite of merit, and job snobbery, which is rampant in our society. Unless you're a celebrity, it's what you do that gives you status.
My masters' advisor, Dr. Bryan Farha, is quoted by Gerald Corey about people focusing on doing to avoid the experience of being. He never mentioned it in the classes I had with him (probably because we students mentioned the reference ourselves), but you will find him in the chapter of existential therapy of Theory and Practice of Counseling and Psychology (at least in the sixth and seventh editions). Anyway, this idea can be also applied to our society - we avoid facing ourselves through our works. Granted, it's not as bad as building monuments using slave labor, but in the United States especially, value in the corporate world means more than value in things like teaching and other pursuits. And it has been that way for a few centuries, at least, as evidenced by the Booker T. Washington quote: "No race can prosper till it learns that there is as much dignity in tilling a field as in writing a poem."
Though, in a way, several people have now given the poet the same status as the farmer, based on earnings, and not for the better. It seems to me that we now over-value things that are actually parasitical to our society, while dismissing that which truly feeds body and soul. Everybody wants luxury; some even to the neglect of the necessities.
Greatest part of this talk is stressing the part that we should make sure our ideas of success are truly our own. Also when he says that the nightmare part is that scaring people is best way to get work out of them. My next post will tackle that with some research.
"Peace of mind that comes from doing the best you are capable of," means a lot more with some of the examples he gives near the end.
This video underlines the capriciousness of fate, despite of merit, and job snobbery, which is rampant in our society. Unless you're a celebrity, it's what you do that gives you status.
My masters' advisor, Dr. Bryan Farha, is quoted by Gerald Corey about people focusing on doing to avoid the experience of being. He never mentioned it in the classes I had with him (probably because we students mentioned the reference ourselves), but you will find him in the chapter of existential therapy of Theory and Practice of Counseling and Psychology (at least in the sixth and seventh editions). Anyway, this idea can be also applied to our society - we avoid facing ourselves through our works. Granted, it's not as bad as building monuments using slave labor, but in the United States especially, value in the corporate world means more than value in things like teaching and other pursuits. And it has been that way for a few centuries, at least, as evidenced by the Booker T. Washington quote: "No race can prosper till it learns that there is as much dignity in tilling a field as in writing a poem."
Though, in a way, several people have now given the poet the same status as the farmer, based on earnings, and not for the better. It seems to me that we now over-value things that are actually parasitical to our society, while dismissing that which truly feeds body and soul. Everybody wants luxury; some even to the neglect of the necessities.
Greatest part of this talk is stressing the part that we should make sure our ideas of success are truly our own. Also when he says that the nightmare part is that scaring people is best way to get work out of them. My next post will tackle that with some research.
Sunday, October 18, 2009
Prediction - the hallmark of intelligence
Even if you're not into physics and math, the following video also talks about balance and beauty, with gorgeous visuals.
A long way to go to fit a pattern, don't you think? Why do we seek for patterns? It is a very human thing to do and it helps us predict future possibilities. Jeff Hawkins talk makes a very good argument of what intelligence actually is.
A long way to go to fit a pattern, don't you think? Why do we seek for patterns? It is a very human thing to do and it helps us predict future possibilities. Jeff Hawkins talk makes a very good argument of what intelligence actually is.
Labels:
cognition,
creativity,
intelligence,
psychology,
TED
Interesting alternative views
These are two videos that offer a different way of looking at things. Granted, most TED talks do, but I don't really have much to say about these talks because they are a bit outside my areas of knowledge, so I'm still processing their content. However, I do think they are worth considering.
Friday, October 16, 2009
Hidden worlds
The underwater "flying turkey" creeps me out, but the squids and octopi are way cool. I especially like how male squids will split their coloring to show a potential mate his "softer" side, while still showing aggression towards potential rivals.
I never realized that the canopy of the redwood forest was once considered a "desert", devoid of other life. This video corrects that belief in spades. And I never knew that redwoods can grow back into themselves.
Thursday, October 15, 2009
Engineering, art and nature
This is another example of using a perspective that is based on usefulness. The artist considers his sculptures to be alive. That belief obviously helps him to create this fascinating moving structures.
Now this video keeps me glued to the screen every time. I love how he explains that evolution works on the "just good enough" principle and the extreme constraints of living organisms. Being inspired by nature tells us more than bio-mimicry. And who could not be fascinated by the robots they developed?
Wednesday, October 14, 2009
Deconstructing and Interacting with Art
As with the exception to parenting I mentioned a few blog posts ago, I only partially agree with Dr. Pinker in his discussion of art and beauty. Classic beauty is probably a human constant and modern art does tend to reject it, but there is a purpose for the exploration of deconstruction and minimalization. The problem is, in my opinion, that many "progressive" artists stop at the deconstruction and never finish the journey to reconstruction. Therefore, making their own label an oxymoron because they never complete the process to allow true progress.
Golan Levin, on the other hand, does. As an engineer and artist, during the second half of his talk, he shows the progression from simplicity of gaze to one very engaging robot eye.
I see no problem with merging art and engineering. Di Vinci was an excellent example of an artist and engineer. Michelangelo and other artists were also scientists. So, again, we see the creative cycle of divergence and the convergence.
Going back to the first half of Levin's talk, he gives examples of mixing sensory inputs. Evan Grant also works on making sound visible, through the science of cymatics.
Sound does have form and affects matter. There is still much data hidden in nature for us to find.
Labels:
academic paper,
art,
behavior,
creativity,
designer,
TED
What happens in a prison-like environment
I really should have added this to the post on brain damage and the environment, after Dr. Pinker's talk on violence, but I had temporarily forgotten it. This video shows how quickly normally good people can turn into monsters if the conditions are right, even if they don't have a genetic predisposition to do so. I have one very morbid friend who thinks the experiment should have been continued; however, there is no need for that. All one has to do is read up on prisons, and especially prisoners of war, to see where it would have led. We've always had tons of data on that front. The data missing was what type of people were the guards before they fell into this mindset. Once the mindset was achieved, there was nothing new to gain by continuing the experiment. (And, of course, it would have been extremely unethical.)
I wouldn't be surprised if something similar happens in some groups that use hazing. The only difference is that once the initiate lives through the hazing period, they get to become part of the "guards".
Labels:
behavior,
cognition,
compassion,
evil,
psychology,
TED,
values
Creative Environments
Not a TED.com video, but still a wonderful example of a creative workplace.
It is a shame that not all engineers are like Golan Levin, who I will discuss in the post after the next one. I admire the BMW design team's sensitivity to their engineering colleagues; however, it really irritated me that the engineers at BMW couldn't think outside their own box. It seems to me that, while the communication part is very important, that the engineers themselves could use a good dose of Google's environment.
Labels:
behavior,
cognition,
creativity,
designer,
TED
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